The transposition of image from audio is constrained to a stage, or a cluster of particles. The visual constraint submits the viewer to look outside of his/her habitual memory and seek out other forms and patterns that extends what enters her cognizance. The layering of ecological and environmental textures are contingent to the structural variation that are visible through the plane iterations.

Within the transposition of image to audio to screen, the movement of the particles are a simulation of a behavioural system, which exists across a manifold of closely linked nodes. With the x and y values forming an iterative stage that are set within parameters, the image plane may be perceived as decoherant in its timelessness. It is a small distribution of similar probabilities made real from a larger cloud of ecological data.

The visuals were taken from footage that was recorded from 0.99c mini wireless cameras. In track Six, I have built a gl generation that pans a multitude of scenes in one projection.

Aural landscapes – taken from the unreleased CD ‘Particles Collect’, by Matt Nicholson of Function Ensemble.

(working progress)

Some screens from ZS

Date : 2004